Tag Archives: May

Phantom Library

A bit of fluff inspired by Be Kind Rewrite’s Inspiration Monday prompt: Phantom Library

It is also a sequel to Raised by Dragons. The names of characters have been altered to protect their identity. Any resemblance to real people is unintentional and highly amusing. ;)

 

You know what it’s like in the morning when you really don’t want to wake up? Your bed is comfortable, the air is a little too cold on your face, your body feels twice as heavy as usual.

It’s even worse when you’ve been working hard, and I had been.

Some people talk as if magic’s the easy way to do things. But real magic is only easy in the same way that lifting a huge weight becomes easier once you’ve invented, and then built, a pulley. And of all forms of magic, wizardry is the most complex. With nothing more than a mediocre high school education under my cap, my teacher had me studying higher mathematics, the sciences, the arts, and most of all, philology. In some ways, I’d never felt more alive. But living is tiring.

I had been training for months, only getting breaks when Ren, or my foster-parents, would kidnap me for a holiday. Teemu, my teacher, didn’t seem to know, or maybe he just didn’t care, what holidays were.

So there I was in bed, with the morning light screaming in at the window. My blankets smelled faintly of cedar, I was warm, and the room itself was chilly. So I did the natural thing. I stretched a little, rolled over, and closed my eyes.

That’s when a sound like a large ball-bearing spinning against frosted glass made me leap up.

Never ignore a growling dragon.

Teemu was standing just outside my room, teeth clenched, lips barely parted. He was wearing human form, as he usually did for our lessons. A full grown Draconis Major in its true shape is awkward indoors, to say the least. Still, he had a way of being scarcely less intimidating as a ‘human’ than when he showed scales and row on row of teeth.

Without a word, he turned and walked down the hall.

I scrambled into my clothes, trying to ignore the twinge that suggested breakfast. It was unlikely that Teemu, already angry at my oversleeping, would wait for me to grab anything from the kitchens.

Maybe, I thought,  Tesni will bring me something…

I caught up with Teemu on the stairs and cleared my throat. “Sorry. I’m, uh, still not used to being without an alarm-clock. …Or electricity.”

Without looking around, he lifted one hand and spoke a word in Draconic that I didn’t know yet. Before I could react, he turned on his heel and planted one finger on my forehead.

Have you ever had an unpleasant encounter with electricity?

It felt like a combination of that moment when a roller-coaster starts to plunge, and being punched in the face.

The next thing I knew, Teemu was glaring into my eyes.

“Better?” he said, emphasizing the hard consonants, a sure sign of annoyance. “Don’t make weak excuses. Do you want to learn how to weave an alarm? Or how to power a toaster?”

I dug my hands into my pockets to keep from punching him. Speaking of which, just in case you’re ever tempted to punch a dragon in human form. Don’t. Remember, they may be smaller, but they still have the same mass.

I took a deep breath and answered him. “…Yes.”

“Then dedicate yourself to this apprenticeship. Potential is meaningless when not applied. And don’t give me disrespectful one-syllable answers.” He turned and continued down the stairs.

“Yes, teacher,” I said, following.

I had expected to stop, as usual, on the ground floor. Our lessons mostly took place outside, in Teemu’s workshop, or in the mansion’s little library. But Teemu kept following the stairs down into levels I’d never seen before. It was still clean and tidy, Tesni would have it no other way, but it was not as airy. We sank down into subterranean cold and scents of cavern and cellar. There were still plenty of lights, leaping up in niches when we approached, and falling into darkness again behind us.

“Where’re we headed?” I asked.

“I’m going to teach you how to use the phantom library. That way you can continue your theoretical studies when I’m too busy to give you practical lessons.”

“Phantom library?”

Teemu laughed, always a disconcerting sound coming from him, and gave no answer.

As we continued, I began to realize that I would have to climb back up the stairs in the near future. I wished I’d insisted on getting breakfast.

Two more flights down and we stopped. Water covered the steps a little way ahead.

But I soon realized that it wasn’t water.

It was translucent, and rippled along the surface, but it didn’t reflect the lights in the cavern walls, nor the helictite-encrusted ceiling above us.

Whatever it was, I could see slowly-moving blooms of glowing color, and pale points, like stars, beneath the surface. I wondered if these were living things, algae or fey, or chemical reactions of some kind, or simply images projected from who-knows-where.

Teemu turned left and stepped out onto the surface.

I followed. The first step was the worst, for though I could see the edges of a platform about an inch under the ‘water,’ I didn’t really know what I was stepping into. Whatever it was, at least it didn’t seep into my shoes.

The platform led to an alcove, raised just above the surface of the pool. For being in a cave, it was shockingly homey.

There was a massive roll-top desk, well-supplied with notebooks, pencils, pens, and various old-school calculating tools. Several armchairs sat by a stone platform, like a coffee-table, and there was even a worn couch with a blanket thrown across its camel-back.

There was, however, only one small bookshelf. I found this terribly disappointing. Three shelves, none of them full of books, with book-ends and knickknacks taking up valuable space. The books themselves were an odd mix. An Ethiopian cookbook, a technical study on some planetary cataclysm, volume “Q” from an encyclopedia, and Through the Looking Glass were among them.

“This is the biped study,” said Teemu. “If we’d turned right, we would have reached the dragon’s study, but you wouldn’t be comfortable there. Still, if one of us is down here, you know where to find us.”

I moved over to the desk and picked up a yellow ruler-looking thing. More accurately, it looked like two rulers bridged together with metal brackets, and a third ruler between them that slid back and forth.

“Slide-rule,” said the dragon, pulling a worn book from the shelf. “You’ll figure it out. But first, let’s show you the catalog.”

I came up beside him as he knelt down over the edge of the not-water. Several pale, glowing points converged like nibbling minnows when Teemu placed his free hand against the surface.

“It’s a communal library,” he said, “shared among the Draconis Major and Draconis Minor as well as a few select members of other species. You won’t be allowed to access the restricted works, of course, but that leaves plenty of trouble for you to get into. So the first rule is: Theoretical Study Only. This is not the place for experimentation. If you defy that rule, I’ll know, and your free-study privileges will be revoked.”

“Yes, teacher.” My earlier anger had vanished. The only thing I felt at the moment was excitement.

“The first step is to identify yourself to the library. That’s what I’m doing, now. Place your hand next to mine.”

I obeyed. Little lights clustered around my hand, too. The surface of the ‘water’ felt like mist, insubstantial and a little warm. The lights dispersed, leaving a blank space around where we were kneeling.

Teemu began to write with a finger on the black surface, leaving a silvery trail. Title: boolean AND search.

A moment later, the images of several books appeared under the surface. Teemu flicked one of them and it opened. A few more flicks and he had ‘turned’ several of the phantasmal pages.

“This is how you select a book. Then, once you have found the one you want…” he dipped the physical book he was holding into the image of the book in the mist. When he withdrew it, it had become the book he had been looking at.

He opened it to the cover page, and I saw his name scrawled in Draconic runes. “This is my copy. That is the next important thing to know about the phantom library. You will not be able to draw my copy out. Instead, you will have your own copy where you can, if you like, take your own notes. And every time you draw out a book, it will be that copy, your copy, just as you left it. Do you understand?”

“I think so. What… what happens to the notes I’ve taken if, for instance, I die?”

Teemu smiled, as he only did when he liked one of my questions. “Marginalia is absorbed into the library and can be retrieved, if one knows how and has the right level of access. But this is enough to keep you busy for now, don’t you think?” He offered the book to me. “I suggest you read this, first. Otherwise you will find searching the catalog very hard. Dip it in to change it to your copy.”

I was obeying his instruction when I asked the wrong question.

“What happens if I fall in?”

The dragon casually batted me off the edge. For a moment I was in freefall, and I screamed accordingly. A moment later, and I was blinded as the bright points of light mobbed me. The next thing I knew, I could feel solid stone under me again, and my vision was full of afterimages. Teemu’s amused voice drifted to me from not very far away.

“The library doesn’t absorb life-forms.”

I answered him in language I won’t repeat here.

“If I hadn’t thrown you in, you’d have been curious. Now you know, and you can focus on your studies instead of wondering.”

My vision was clearing, and I looked at the book that was still in my hand. The cover was a patchwork, shreds of countless books mashed together, and the pages were sticking out at odd angles, words overlapping words until they were nearly black.

“Go ahead, dip it again.” Teemu backed up to reassure me that he wouldn’t push me off the edge again. Grudgingly, I obeyed.

“There is a water-closet over there,” he pointed to a little door beside the desk that I hadn’t noticed earlier. “The penalty for peeing in the library is a five-decade ban, so don’t be stupid.”

I nodded and sat down in one of the armchairs. The book looked dry, and I don’t mean in terms of moisture. I began to regret, more and more, not having breakfast. Teemu seemed to be going over the list of things he meant to tell me.

“Oh, and I almost forgot.” He knocked on the stone coffee table, then wrote with the tip of his finger on the surface. A few minutes passed, and a knock sounded from the table itself as a cup of tea appeared on it. “There’s a direct line of communication to the kitchens. But don’t over use it, and always say ‘please’.”

“Yes, of course.”

He paused to think for a moment, then nodded. “Tomorrow, 8 am, sharp.”

“Yes teacher.”

As he turned to go, the realization of where I was, and what was now in my reach, began to sink in. Boolean method book notwithstanding, I was on the brink of a literal sea of books.

I called after Teemu, hoping he was still in earshot. “Thank you!”

No answer.

He probably heard, but didn’t bother to respond. I would thank him, again, in the morning. I settled comfortably in the armchair, with the cup of tea, and started trying to absorb the book as quickly as possible. It was going to be my map to this sea.


Elemental Surprise

I want this to be an alchemical post about the discovery of a new element. I consulted my main alchemist character about it, and he replied with raised eyebrows, and then a good laugh.

I suppose that writing is a sort of alchemy, though, and surprise is definitely one of its foundational elements.

Recently, I re-watched Disney’s The Hunchback of Notre Dame (1996).  As a kid, I didn’t like it, but someone was talking about its music and so I decided to give it another try.

I was very surprised.

It would be easy to say that I didn’t understand it as a kid. That is certainly true, but I was 14 when it first came out. I was well-aware of the interplay of sex, violence, bigotry, and abuse (it is one of Disney’s darker animated films). I disliked the film because I thought it was trite and self-contradictory.

Now, I can see why 14-year-old Jubilare thought so, but I also think she simply missed the point. Getting back to surprise, there are a few ways this element manifests… perhaps it has a solid, liquid, and gaseous form? There are jump-scream surprises, surprising twists in plot and character, and then there are the surprises that come from delving into the layers of a work. I’m interested, here, in the last of these.

This film is thickly layered, with complex themes and little bonuses (like the Latin and Greek embedded in the soundtrack). Now, I rather like a lot of Disney’s animated canon, but the themes are generally straight forward. Perhaps that is why I originally misunderstood this film. I took it at face-value.

One thing that originally annoyed me with tHoND was the seemingly broken-Aesop (or family-unfriendly Aesop) of Quasimodo. The main point of the film seems to be that beauty and ugliness come from within, with Quasimodo and Frollo acting as foils (Frollo isn’t nice on the outside, either, probably because pretty villains gain sympathy points no matter how horrible they are within). My teenage self felt that this message was undermined when Quasimodo failed to get the girl.

It wasn’t that I wanted Esmeralda to end up with Quasimodo, or anyone. It was that the message seemed to be “no matter how nice you are on the inside, what is outside matters, too” which is sadly true, but also contrary to the apparent point of the film: “Who is the monster, and who is the man?” The answer seems to be that Frollo is a monster, but Quasimodo still looks like one, and he will suffer the consequences.

14-me did not think Disney would make a film that brutally honest. I thought, instead, that they decided the general public wouldn’t accept a non-handsome “prince” and so they added the sub-plot romance, and then glossed over the pain this causes Quasimodo by making him miraculously “ok” with it at the end.

Seeing it as an adult, I realize that there is a lot more going on. Frollo and Quasimodo are, once again, foils, but they are both foils for Phoebus.

At one extreme we have Frollo, who is filled with lust and hates/blames the object of his desire (yeah, dark). He sees her as an object of temptation and a source of evil. At the other end of the spectrum, Quasimodo calls her an outright angel. She is, perhaps, the first person, and definitely the first woman, to be kind to him. But the problem is that she is on a pedestal, and his love for her is worship.

Then there is Phoebus, who sits in the middle. He engages her as a person (even though he starts out as a terrible flirt). Given this dynamic, the romantic element made a lot more sense to me this time around. Though it is still possible to see the Aesop as broken, it is, perhaps, only tinted with more depth and reality than I had seen before. Quasimodo and Esmeralda would not work, not because of his physical appearance, but because of their personalities and because of how they view each other. The writers were dealing with a more complex theme, and different moral/life questions than 14-me thought.

I give the team who worked on this film high marks for this. Relationships that make sense haven’t always been a Disney strength.

Another depth that surprised me (and the only other one I will deal with, for now) was the villain. Disney cartoon villains, though I love ’em, are not a complicated lot. Frollo, however, stands apart. His “hidden depths” are quite nasty, and I do mean nasty. This is not going to be an “oh, poor villain with a freudian excuse!” rant, but rather an awed “holy cranberry catfish, look at the abyssal depths they carved into when they created this guy.”

In a cursory look around the internets I see that, of the Seven Deadly Sins, Frollo is most closely associated with lust. Not surprising, considering that his Villain Song mostly deals with his desire for (and hatred of) Esmeralda. Also, the surprise (ha!) and shock of seeing a Disney film for kids deal with the issue so directly makes it stand out.

But hang on a minute. As some others have pointed out, it should be clear from the very beginning that Frollo is a nasty piece of work. Watch the opening scene:

I don’t see any lust at work there, just bigotry and pride. Ah. There it is.

Now, listen to the first few lines in his villain song (and also notice that, again, Quasimodo and he are foils, Quasi’s humility and, sadly, self-loathing, manifest in worship of Esmeralda as an “angel” and Frollo’s pride manifests in blaming her for casting a spell over him. For, otherwise, how could such a “righteous” and “pure” man be so consumed with lust? *facepalm*):

“Beata Maria, you know I am a righteous man. Of my virtue I am justly proud. Beata Maria, you know I’m so much purer than the common, vulgar, weak, licentious crowd.”

This guy’s problems may end in uncontrolled lust and wrath, but they begin in what is, perhaps, the deadliest of sins: Pride.

Self-righteousness, self-satisfaction, judgement of others, and pride in himself are his chief sins. They set him up for everything that comes after. A more humble man might have truly felt guilty at the end of the opening sequence, might have been softened by Quasimodo, might have questioned his own actions, and might even have dealt with his lust in a sane way. It would, at least, have been possible. But no.

Frollo only shows self-doubt, I think, twice in the film. Once, briefly, when the Archdeacon calls him out for murdering a woman and trying to murder her baby, on the steps of the cathedral where she was trying to gain sanctuary (daaaaark), and once during his aforementioned villain-song. The latter is one of the reasons “Hellfire” is now high among my favorite Disney songs.

Most of the delightfully dark canon of villainy that Disney has produced sing cheerful songs about their villainous plans. Frollo, instead, is going through a spiritual battle that is anything but fun. He’s very mistaken about the nature of that battle. He thinks he is a righteous man being tempted by a foul, lustful witch. From the outside we can see that he is already well into the Enemy camp. He is just facing a new kind of sin, one that he still recognizes as sinful.

In other words, he is trying to resist the devil with the help of the devil. His mouth says “Maria,” and his heart seems to recognize his guilt despite his words: “It’s not my fault! Mea culpa! I’m not to blame! Mea Culpa!,”  but unless he recognizes the underlying state of his soul and repents, he is fighting a battle he cannot win.

The last lines are tortured: “God have mercy on her. God have mercy on me. But she will be mine or she will burn!”

The funny thing is, for me, that I usually pity the tortured ones, even if they are despicable. It is hard to pity Frollo. He is so utterly self-satisfied, such a vicious Knight Templar, so abusive, manipulative, and so corrupt in his obsession with Esme, that his death is a release. The only glimmer of pity I have is during his song, when the “God have mercy” lines come off as the dying breath of anything human in him. I can’t think of another Disney villain that is quite this complex and terrifyingly believable, while still existing in the best tradition of over-the-top villainy. Muahahaha.

For what it’s worth, his villain song also sets up what is, to me, one of the funniest lines in the film, just to make sure we don’t get overly serious.

“I had a little trouble with the fireplace.”

Indeed.

If it were not for the horrible effects, one would have to laugh. Frollo’s self-importance and self-righteousness are so ludicrous that they would be hilarious if not for the effect they have on his own soul, and the lives of everyone around him.

If you haven’t seen this film, or haven’t seen it in a while, it’s worth a watch. With the exception of one irritating song, the soundtrack is delightful, rife with beautiful high-church choral themes, at least some of which are actual Latin prayers, bells (of course) and wonderful orchestration. And the story ain’t half-bad either. There are more interesting twists and turns than I’ve dealt with, here.

Fair warning for any who might actually expect (out of inexperience perhaps?) Disney to follow canon – This film has very little to do with the novel by Victor Hugo.  I’m curious to know what other people have gotten from this film, or if they disagree with me. Also, I’m always open to discussions on other films, Disney or otherwise.

I have a lot to think about in terms of narrative, relationship dynamics, and villainous roads to pyromaniacal insanity.

Wow. This is a super-long post, for me. Sorry, guys! If you happened to make it this far, I hope you did so because it was interesting!


Dragon’s Loyalty Award!

dragonsloyaltyaward1

With a glassy rustle, a dragon stretches a great green wing of feather-like translucent scales. It yawns, revealing several rows of sharp teeth and a pair of upward-curving, no-nonsense tusks. Resettling its wings, it pricks a pair of mule-like ears forward and peers out of the blog with emerald eyes.

Right, blog award.

Hello! My author, Jubilare, has asked that I not give my name here. She’s trying to keep her WIP’s mostly private until they are, ah, more prepared for the world, or the world is more prepared for them. I forget which.

But considering the name of this award, she felt that I should be the one to accept it. I don’t see why. I have very little to do with the day-to-day running of the blog, but she insists that she never would have started writing but for me. So here I am.

From the limited information she has given me, (research, dear, always research), the Dragon´s Loyalty Award is “presented to blogs with exceptional content.”

It is a great honor to accept this award. From the name, I assume that, lost somewhere in the shadowy (ahem, un-researched) history of this award is either a dragon who awarded it to a particularly loyal blog, or else it was awarded to a particularly loyal dragon who blogs. Not being a blogger, myself, I can’t really relate.

Jubilare: Um, buddy? can we try to get this in under 1000 words?

Not it you interrupt me we won’t.

Jubilare: Maybe I should’ve asked one of your brothers…

Which one? The one who makes me look laconic? The one you’d have to bribe? Or the one who’d actually make you do hours of research beforehand? Oh, or how about the one that hates you?

Jubilare: …Carry on.

Wings are re-shuffled, and the dragon draws a long breath.

Right. Well, as I was saying, it is an honor to accept this award on behalf of this blog. It, the blog, I mean, was awarded this prize by one Stephencwinter, whose blog my author greatly enjoys. Thank you, Mr. Winter! Visit my home some time. I’ll buy you a drink and show you around.

This award carries with it several requirements. Hold on.

The dragon holds out a scaly hand, complete with talons, and accepts a  poster-board from Jubilare. It looks like a post-it-note in the dragon’s grasp.

First: Display this award on your blog.

Jubilare: Done.

Great. Next we announce our win with a post and thank the Blogger who awarded us. …I’m doing that right now, yes?

Jubilare: yep

Excellent. Now, we present this same award to 15 meritorious bloggers. Fifteen? This thing must multiply faster than rabbits.

Jubilare: I, uh, only have 12.

I see. Well, it looks like we don’t get to accept the award because my author doesn’t know how to follow rules.

Jubilare: Hey! Stephen didn’t do fifteen, either, and he still got to accept it.

The dragon grins toothily and flicks one ear. Oh, all right. If the award police come for me, though, I’m giving you up. I won’t go down for your crimes.

The twelve blogs Jubilare would like to nominate are… flips the poster-board and thrums the fingers of one taloned hand on the ground like a snare-drum-roll

Bekindrewrite – All shall love her, and despair!

Dreaming of Other Realms – an epic storyteller from “Kiwiland”

The Egotist’s Club – A magnificent menagerie of muses.

Grimmella – How can she not be awesome with a blog-name like that?

Lovethebadguy – Delightfully wicked

Pages Unbound – They read books. Lots of books. And tell us about them!

A Pilgrim in Narnia – already has one of these, that should tell you something

Res Studiorum et Ludorum -Profoundly Geeky, and Geekily Profound

Soughing of Pines – This dragon’s particular friend. Writer and Renaissance woman.

Strange Figures – Painfully honest, in a world in desperate need of honesty

Technicolorlilypond – Just as colorful as it says it is

The Warden’s Walk – Should be called “The Warden’s Fabulous Hat”

Now I must link them?

Jubilare: I just did.

And… let them know of their being awarded.

Jubilare: We’ll do that after we finish here.

You mean I will, don’t you.

Jubilare: I’ll help!

Alright. Last item on the list.

The tip of the dragon’s tail swishes.

Write seven things about you. …is that me-you or you-you?

Jubilare: I think it’s supposed to be me, but make one of them about you, just in case.

Hm. Well, Jubilare is obsessive. And I do mean obsessive. When she’s trying to work through a scene, she will sometimes listen to the same song, or handful of songs, for HOURS. IT’S HORRIBLE. And when she’s found something to obsess about, it is very hard to derail her to anything else.

She also loves almonds. She eats them all the time. Perhaps that ties in with the obsession issues.

What else… despite being obsessive, she is also easily distracted. While it is hard to get her off something she is obsessing over, it is equally hard to get her to focus on tasks. Very annoying when one is trying to get her to write.

I also think she is rather sweet, even when she’s glaring at me, like right now.

That’s what, four? Hm. Five would be that she is something of a pyromaniac. Not an arsonist, mind. She’s been well taught not to burn other people’s things without permission, but she loves fire. As a dragon, of course, I approve.

Six. She has a thing for creatures, like dragons, bats, creepy-crawlies and such, that are often reviled. Even as a kid, I was her imaginary friend. Every child should have a dragon, don’t you think?

Seven needs to be about me? Well, I love apple fritters and whiskey, not necessarily together. Please send apple fritters and whiskey by way of my author.

Thank you all. It’s been surprisingly fun.

Are we in under 1000 words?

Jubilare: Shockingly, yes. Thank you, oh dragon-mine. Here’s the list of “requirements,” that are optional, and will break the 1000 word limit, alas!

  1. Display Award on your Blog.
  2. Announce your win with a post and thank the Blogger who awarded you.
  3. Present 15 deserving Bloggers with Award
  4. Link your awardees in the post and let them know of their being awarded.
  5. Write seven interesting things about you.

Brooding on Monsters

Forgiveness of others when they wrong me is a fundamental, though often challenging, requirement of my faith. I understand why it is so important, and why we often need help to accomplish it. I desire to be forgiven when I wrong others.

As far as extending human understanding, and even the idea of forgiveness, to some people, I seem to have limits.

Listening to the news has recently brought before me a recurring theme in my life: There is a homicidal torturer that lives under my skin. She longs to take predatory humans, especially sexual predators, into a brightly lit room and vivisect them over the course of several days.

There. I have said it. Yes, I know that many predators are also victims of predation or other horrible circumstances. I also believe that there is a predatory strain, an impulse, a siren call to dominate others, imbedded in humanity.

Obviously, I am no exception. I want to torture certain people, I want to murder them, and when all is said and done, both stem from that desire for domination.

I want to dominate and destroy an aspect of humanity (by proxy of humans that openly manifest it) that exists within me. Even more ironic is the fact that the predatory aspect I contain, that I hate so much in others, would be my motivation and means for attempting to dominate and destroy the aspect in others.

A friend said to me “but they are using it for evil. You want to use it for good.” She means that I want to use it to avenge the weak who are harmed and even killed by those who have the power to harm them. She has strong feelings about cruelty, and she has seen much first-hand as she tries to rescue animals from horrific abuses. She, like me, wishes she could pay the inflicters back, perhaps starving and beating them, then putting them in rings together and forcing them to fight and kill each other while people watching place bets.

There is a grim satisfaction in the thought. An eye for an eye is just. But then I remember that I do not believe that I am the judge. I am a fellow defendant, or at best, a plaintiff.

And yet, without that sense of outrage, that anger, that horror, I would have no motivation to act, to try and stop genocide, or human-trafficking, or rape. Great struggles against these evils are born from the anger, the sense of there being such a thing as justice and injustice.

Righteous anger is, I believe, just that. It is right, and it is anger. Some acts, and the people who perpetrate them, need to be stopped. Given the dangerous monster under my skin, I see the need for an impartial system to stop them, but sometimes the systems do not have the reach, the power, or even the desire to do so. What then? Is a mob, or a movement of the outraged better or worse than the lone avenger driven by righteous anger? A movement is certainly harder to stop, and they have achieved great things, like the Civil Rights Movement combating social injustice. But groups can easily become predators, too, or take their vengeance too far.

After all, not everyone agrees on just causes for anger and action, or the extent of just punishment.

But that is really another issue. What I am trying to process, here, are my own murderous desires. God help me, I know that though my anger may be right, those desires are not. They are understandable, but corrupt. If they are any less horrible than the acts they clamor to avenge, it is not a very great difference.

“Love the Sinner, hate the sin,” is one of those sayings that is too short to be helpful. For one thing, it has become trite, and for another, it is wide-open to all sorts of interpretations and actions. Even if I take it in what I believe to be the right way, I find it rife with complications. How do you love someone when they have done truly horrific things to others? How?!

Perhaps distance makes a difference. It is far easier to simplify matters from a distance, to empathize and demonize ideas of humans rather than real ones. But that is not the whole story. Chances are that I have met perpetrators, predators, and been unaware. I have not yet had to look someone in the eye, knowing horrible things they have done to another person, and try to separate something human from something monstrous in my mind.

I have no solution to this yet, other than the mysterious power that rests in prayer, questioning, and seeking. I am not sure I want answers from others, either. This seems to be one of those instances where I need to find the answer for myself. People vary so much in what makes them angry, how they react, and what they feel or believe is right. Everyone might have a different “answer,” and unless I find this one myself, I will not  trust that it is mine.

I am not even entirely sure why I am writing this post, but I desperately needed to vent, and one thing I do believe is that this world could always use a bit more honesty.

So here I am, raw and snarling. Today, I do not like what I see in the mirror any more than I like what I see in the news. I leave the can of worms of “News Media Bias” unopened, and I ask you to leave it closed, too. I cannot deal with that argument right now. However, I do believe that the sensationalism, the constant barrage of horrors and the voyeuristic hovering, has an effect on me, and on others.

There is good advice to be had in Philippians 4:8

Finally, brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things.

I need a bit more of that right now. Predators must be fought, but if we forget what it is we fight for, then what is the point? Perhaps that is the beginning of an answer for me.

Perhaps the monster in me wants to fight against something it hates, but God’s will is that I fight, instead, for something I love?

.


I didn’t mean to lie

I really was intending that to be my last post for a while, but the in light of the news I got from the doctor today, I felt that I owed it to my blog-friends to pass on some good news. Whether you have been praying or sending good thoughts, thank you.

The tumor has shrunk so significantly that they were unable to do a biopsy on it today. It is less than a quarter of its original size and did not show up on an ultrasound. My doctor and nurses were so happy that some of them cried a little.

I am grateful to God for His mercy, for my physicians, and for the progress of medical science!

For now, treatment will continue as it is. Surgery, chemotherapy and radiation are still in my immediate future, but this is a great triumph, and I wanted to share it with all of you and thank you, again, for your thoughts and prayers.

Love and blessings!

Ok, my break starts now, for reals.


Ballooning Part 2

It has certainly taken me long enough to post this. It has been months since my successful flight in a hot air balloon, but I have been dragging my feet in sorting through the pictures. Anyway, I wanted to give you guys some beautiful shots before I take an internet break (for those of you who talk to me through e-mail, I will still check it. I just may be slow in replying).

Every time I say I am going to take a hiatus, people seem to worry, so in advance, let me assure you that everything is fine. The coming month is going to be a busy one, and I need time to read, write, and do odds and ends around the house and with my family. I will probably be gone a month, maybe two.

When I come back, I promise to post pictures of more masks including the ones I am currently working on.

On to ballooning!

Photo by Jubilare

Photo by Jubilare

For those who missed out on the first failed ballooning attempt, there are details here. We had one more failed attempt (making, I think, three for my dear friend) but finally, luck was with us! The basket was very large, made to hold at least eight normal-sized people.

Photo by Jubilare

Photo by Jubilare

Here is the balloon which was called, if I remember rightly, Spirit of Africa. The first stage of inflation is done with a fan.

Photo by Jubilare

Photo by Jubilare

Once the fan has blown up the balloon enough to where the flames won’t burn it, the spurting fire thing is used.

Photo by Jubilare

Photo by Jubilare

I found the colors quite beautiful.

Photo by Jubilare

Photo by Jubilare

My fear of heights made takeoff a bit nerve-wracking. There was someone on board with a worse fear of heights than I have, though, and that helped calm me down.

Photo by Jubilare

Photo by Jubilare

Once I was over how high we were, I found the flight soothing and I enjoyed the patterns I began to see below. Balloon flight is very smooth.

Photo by Jubilare

Photo by Jubilare

This is some of the countryside relatively near where I live. There are some farms left, though not many, some large estates owned by people whose wealth is beyond my comprehension, some forest, and encroaching subdivisions.

Photo by Jubilare

Photo by Jubilare

On the whole, it is pretty, though it makes me a little sad to see how it is changing.

Photo by Jubilare

Photo by Jubilare

One of the real farms! Those red-ant things are cattle. We flew over horses and deer (who really did not like the roar of the balloon’s blowtorch thingy) and a blue heron in flight, but my shots of them did not come out well.

Photo by Jubilare

Photo by Jubilare

Looking up into the balloon!

Photo by Jubilare

Photo by Jubilare

And my best shot of that lovely flame. It is loud, and close, but really beautiful. I would not recommend a balloon flight in hot weather, though. It was cold when we flew, and that was the only reason I could bear the heat above me.

Photo by Jubilare

Photo by Jubilare

We had some beautiful clouds that day.

Photo by Jubilare

Photo by Jubilare

Every time we went over water, we saw the balloon’s reflection.

Photo by Jubilare

Photo by Jubilare

Even with the blur, I find this shot lovely.

Photo by Jubilare

Photo by Jubilare

Sycamores are as dramatic from above as below.

Photo by Jubilare

Photo by Jubilare

I think the trees below look almost like moss and lichen. Beautiful.

Photo by Jubilare

Photo by Jubilare

Even the horrible subdivisions with their monster houses and boring yards look nice from this height. Great patterns. Notice the interrupted sidewalk.

Photo by Jubilare

Photo by Jubilare

The skyline, of course, was gorgeous. All those tree-covered hills fading in the distance to meet the sky, and echoed from above by the clouds.

Photo by Jubilare

Photo by Jubilare

Mmmmm

Photo by Jubilare

Photo by Jubilare

And so, in failing light, we landed. We landed in enemy territory (people who are hostile to balloons) out of necessity, but fortunately no one was home. The team and our pilot broke down the balloon quickly, and we called it a night.

I am very glad my friend gave me the opportunity to do this. I hope you enjoy the pictures!

Farewell for now. I’ll be back soon.


Phoenix

Be-kind-rewrite’s Inspiration Monday nudged my muse in a terribly melodramatic way. Apologies in advance for the levels of angst, but the prompt was “can’t stop crying” so it was bound to be either angsty or filled with onions.

In the Center is a thing that weeps. In the darkness surrounding her now, her feathers and her tears are light. Her children return when their fires burn out. It’s over their corpses she weeps, folding them beneath her wings like eggs.
And there, against the mother flame, their life returns only for them to leave again; flying off into the void, bringing heat and light, but leaving her in the Center with her tears.
We have light and life because she can’t stop crying. Yet I have to wonder if one day we will learn the meaning of life without pain.
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Geographic Confessions

I am not a cartographer.

In high school, my geography teacher did well by her students. I know that there are seven continents (if you include Antarctica, which I do), I have a general idea where most countries, seas and oceans are, as well as the locations of many land-features such as the Alps and the Mohave desert. Our final assignment in geography was to create a relatively detailed and accurate map of the world with certain features labeled from memory.  It was very hard, but rewarding.

You are probably wondering where I am headed with this ramble. As with most things I ramble about, it connects to writing.

Most people who read fantasy are familiar with the attendant maps. Some  even read while referencing the maps to see where they are. A friend recently confronted me with the lack of… I don’t know a word for it. Directionality? He did not have a good idea of the layout of the story’s geography, and it bothered him.

It has been bothering me for a while, too. I have a general idea of the area and the world, but I need more. Like a student in a life-drawing class, I need to understand the skeleton of my subject before I can draw it convincingly.

I need maps.

I need maps that only I can make, and I am not a cartographer. I have been putting it off because I am afraid of backing myself into a corner, making a map that is somehow “wrong.”  What if it is, unconsciously, too like Earth? What if it is too off the wall and ceases to make sense? What if the rain-shadows aren’t where they are supposed to be (yes, I think about things like that)?

But the truth is that I need the framework. The better I know the territory, the world, the more convincingly I can write the characters’ interactions with it. Flopping about in vague mush isn’t going to get me anywhere. Is the story in the Northern or Southern hemisphere (getting my head around Southern-hemisphere mechanics is daunting, but tempting), how many continents are there? What influences the weather-patterns? Where are the trade-routes?

What is an author to do?

In looking for a starting place, I came upon this blog:

http://www.fantasymapmaker.com/free-fantasy-maps/

This lets me know that others have already blazed this trail. There are already tools, such as Campaign Cartographer 3 by ProFantasy. Personally, I really like playing with this free fractal map generator: http://donjon.bin.sh/world/

There are resources for cities and dungeons, too.

But it seems to me that these are only places to start, and most likely other writers out there have discovered other useful resources. And so, I give a shout-out.

If you know any good resources for creating maps of other worlds, let me know in the comments. I will do a follow-up post including them. If you, like me, are intimidated by this problem, at least we can commiserate and then encourage each other. If, on the other hand, you are an amateur (or professional) cartographer, I would love to get your input!


Personal Question

Book Meme 2012

Week 9: Book(s) that you would bring on your honeymoon. (ie; so intrinsic to your life that it MUST be shared with your life partner as soon as possible. Or just fun to read together.)

For honesty’s sake, if I ever marry I doubt any books will accompany me on my honeymoon.  I am a bibliophile, but there is a time and a place for the love of books!

While going over this question in my mind, I realized that there are many books I would wish to share with my life partner as soon as possible, but he would probably not get as far as marrying me without being introduced to them. One book, the Bible,  he ought to know before even meeting me. Unless I am mistaken, though, this question is aiming for something very deep and personal.

My hypothetical future husband would not get very far before meeting George MacDonald, P.G. Wodehouse, J.R.R. Tolkien, Jane Austen, Shakespeare, Ellis Peters, or any of my other dear literary loves, assuming he did not know them already. But all of these I would share with any friend. What, then, is so intrinsic to my life that it must be shared with him as partner to my life? What, in short, can he not do without if he would truly know me well?

The only answer is deceptively simple.

He must be introduced to my writing.

In fact, when I think about it, my own work would be the only literature to accompany me on my honeymoon for the simple fact that I am never without it.

I crave someone so close to me that I could open the worlds in my heart. Up to this point in my life, and perhaps forever, no one is allowed into that place. It is holy ground to me. If he should also have such a holy ground to share with me, so much the better.

I would be surprised if other writers do not know what I mean by this. Surely I am not alone. There is something precious and intimate in the source of my writing, and in the writing itself. It alone, of all my literary loves, is intrinsic to my life. Any man who would dare to love me would find that I come with a universe, and there is no separating one from the other.

Heaven help him.

Here are the links to the rest of this series, in order:

1. Motley Crew

2. Cue Music/Shout Out

3. Villainy Most Vile

4. Very Ominous Endings

5. Shapes are Only Dressess… and Dresses are Only Names

6. Chridonalchett

7. Verbage

8. The Scent Test

9. Personal Question

10. Packing Lightly


Mystifying

Today, one of the characters from my present work-in-progress picked up a nightstick. It seems he intends to keep it.

How do these things come about?

I am constantly mystified by what comes out in my writing.  Granted, I give my characters free-rein to wander about in my head, but it is what they find there that astounds me. I have to wonder where such thoughts and ideas come from. I cannot trace them.

Perhaps my memory is at fault. Perhaps at some time a nightstick made an impression on my mind (hopefully not literally), but if so, I do not recall it. I must admit, I find this randomness, this subconscious aid, very refreshing. Too often, I have to battle with problems and questions to find the right in-story answers. It is grueling work. Sometimes I divert my mind to give my subconscious, and the characters wandering about in it, time to find the answers.

And then, sometimes a character picks up a nightstick and won’t put it down.

The question was not even on my radar. I had assumed him to be the sort to pick up whatever was handy. Apparently I was mistaken.  I am glad to be mistaken, for this is far better than anything I could have thought up.

I assume that this kind of thing is common among writers. Have any of you experienced this sort of thing?